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I recommend reaching out as early as possible to secure your preferred date, especially if the project is tied to a product launch, event, or seasonal availability. While short notice commissions are sometimes possible, more lead time allows us to plan locations, lighting, and styling for the best results.
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Yes. While I’m based in Italy, I regularly travel across Europe and occasionally further afield for commissions. Travel fees and scheduling will be discussed during our initial planning stage.
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Absolutely. Whether you have a historic market, countryside estate, or private kitchen in mind, I’m open to location suggestions. Together, we’ll assess feasibility, permits, and how the setting will support your project’s visual direction.
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Your investment depends on the scope of the commission, travel requirements, production needs, and final deliverables. After our initial conversation, I’ll provide a tailored quote outlining exactly what’s included.
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Every commission is delivered as a curated collection of fully edited images, ready for publication or brand use. Depending on the project, you may also receive behind-the-scenes frames or detail shots to complement the main portfolio.
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Yes. I work in both 35mm film and digital, often combining them in a single commission to balance the richness of film with the flexibility of digital. The choice depends on the project’s creative direction.
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Once we confirm your booking, I’ll guide you through the preparation process. This may include gathering references, confirming shot lists, sourcing props, or finalising location details. My aim is to make the process as straightforward as possible for you.
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Yes. Each commission is designed to adapt to your objectives, whether that’s a commercial campaign, editorial spread, or exhibition work. We’ll ensure the visual narrative aligns seamlessly with your brief.
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Yes. Licensing terms will be outlined in your agreement and tailored to your project needs whether for editorial use, brand campaigns, or media publication. Extended licensing can be arranged if required.
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My work blends documentary and editorial styles, focusing on the human and cultural story behind the food. Rather than staging everything to perfection, I aim to capture authentic moments, atmosphere, and texture that bring your brand or subject to life.
Every commission begins with an exchange, sometimes clear, sometimes uncertain. Whether you arrive with a defined brief or an instinct you haven’t yet named, I approach both the same way: with attention, discretion, and an understanding that the work often starts before the camera is ever lifted.
If you’re here considering a project of your own, I welcome the conversation. This is where the dialogue begins, measured, grounded, and shaped by intent.
— A Direct Exchange